Showing posts with label pig destroyer. Show all posts
Showing posts with label pig destroyer. Show all posts

Tuesday, 1 January 2013

L.'s Top 10 LPs of 2012

L.'s Top 10 LPs of 2012

I've heard a mix of grumblings and praise about 2012 from various music sources, but you'll hear nothing but praise from all of us here at Lost Tribe. Not only did a bunch of new or quasi-new bands put out stellar releases, but a whole gaggle of veterans returned to remind us all why we hold them in such high regard in the first place. In fact, 2012 (and this site/podcast) helped remind me why I love music so much in the first place. So without further adieu, here is my list of the 10 best LP's of the year....in my opinion....in no particular order.


Burning Love – Rotten Thing to Say

The fact that this group isn't headlining any/all hardcore festivals and tours by now is mind-boggling to me. Their mix of hardcore, punk, and rock is both refreshing and reminiscent of the band members' past works. While I've loved everything they've put out thus far, I was especially impressed with their sophomore LP. It's got a flow and coherence to it that not many hardcore albums have these days, and “Karla”, “Pig City I”, and “Hateful Comforts” are immediate classics in my books.





Pick Your Side – This is How Democracy Works

Speaking of southern Ontario hardcore veterans forming new bands, Haymaker's Jeff Beckman teamed up with Fuck the Facts' Johnny Ibay to put together this hardcore/metal Frankenstein that have helped to satisfy my unending Haymaker-craving. Fortunately, this isn't just a mindless rehashing of what these musicians have done in the past, and is, instead, an interesting mix of genres that are held together with an unceasing barrage of hate and aggression. In other words, it's fucking amazing.






Black Breath – Sentenced to Life

How many people got re-excited about metal by this release? After listening, and then re-listening to this album I started digging through old Slayer, Black Sabbath, etc. albums to relive my headbanging days of old, and I was just as happy listening to Black Breath as I was hearing the classics. Black Breath doesn't try to do anything too fancy...no cross-over, no overtures, no symphonic back-ups, just blistering riffs and galloping beats. This album made me headbang and thrash more than anything else put out this year.





Homewrecker – Worms and Dirt

Was anyone not blown away by these guys? As I said in my review, I had slept on this band's 7”'s, so I had no expectations when I first put it on, but I was beyond pleasantly surprised. What caught my attention was the fact that “Wreck”/”Worms and Dirt” is the best intro-into-first-song combo of the year, and the audio clip used in “Wreck” might be my favourite mix of sample/music that I've ever heard....and I played in hardcore bands in the 90s/early-2000s! Oh ya, the rest of the album kicks ass too!





Mindset – Leave No Doubt

Do you love youth crew hardcore? No, neither do I. Then why is this album on the list? Because it's good...really good. The first time I put this album on I listened to it all the way through 3 times in a row. I can't fully explain why this album is so far superior to all other youth crew releases of the last few years, but it is, and if you haven't heard it yet you are most definitely fucking up.








Column of Heaven – Mission From God

Canada doesn't often make a mark on the metal world like this these days, but Column of Heaven proves that you shouldn't count the Canucks out yet. Continuing The Endless Blockades' tradition of putting out uncompromising but well-thought-out metal, Column of Heaven should be on every metalhead's radar if they aren't already.









Gaslight Anthem – Handwritten

I think people might've expected Brian Fallon and Co. to settle down or peter out now that they've garnered significant mainstream success, but this album easily puts any naysayers in their place. The song writing is sharper, the hooks are catchier, and the rawness/rough edges that everyone loves about Fallon's lyrics are still abundantly present. My one complaint is that “Blue Dahlia” is the best song is on the album and it's not technically on the album (although it is on the Deluxe Edition)...so if you haven't picked up those extra tracks I suggest you do as soon as possible.




Rise and Fall – Faith

Because this album came out so early in the year I fear that many reviewers will inadvertently leave these Belgians off their list. Well, if that was the case, then shame on them! Rise and Fall easily please even the most ardent d-beat, hardcore, or metal fans with expertly written songs and crushing riffs. This band is able to effortlessly pull off the difficult mix of creating unrelenting music that never seems to get boring or stale. Most bands either hammer home the one thing they are good at until the sound of it makes you want to puke, or they try and get so experimental that you forget that you are listening to an actual song, but Rise and Fall always keeps the right balance of consistent and interesting.


Pig Destroyer – Book Burner

What should I say about Pig Destroyer that I haven't already said in my review, or that their unparallelled career full of metallic greatness doesn't already say? Everyone expected the best from this band, and unsurprisingly they delivered in spades. They moved away from the experimental elements of Phantom Limb while keeping all the intensity and excitement that their fans have come to expect. Listen to Book Burner and revel in its consistent glory...or listen to it as a metal musician and realize that you probably won't ever be as good as this band is on its worst day.




Propagandhi – Failed States

Now, since I didn't make this a numbered list, so I don't know if I am able to have a number one album, but if I were to say that there was an album of the year then this would undoubtedly be it. The melodies are haunting, the riffs are crushing, the technicality is mind-boggling, and the lyrics are everything that “punk” should be. I'll keep this written handjob short, but I am truly glad that this band exists and that they keep putting out such face-ripping classics.

Monday, 3 December 2012

2012 in Review: L.’s Top five 7”s of 2012




L.’s Top five 7”s of 2012



With December upon us it is that time of year again...the time where we all look back on the past year and remind ourselves that while we were writing blogs other people were out there writing music.  Good music!  Good music that should be put into a list!

Now, the Lost Tribe family (and its subsidiaries) make no claim that any of our year-end lists are by any means definitive, authoritative, or anything more than that we specifically enjoyed over the last 12 months.  As there are multiple Lost Tribe writers, there may be similar categories with different choices, or different categories with similar choices. 
Either way, we thought it was worth listing a few great things from this year, so here we go.

L.’s Top five 7”s of 2012

 5. Wrong Answer – Cross a Black Cat’s Path
I first started listening to this band as part of the lead up to This Is Hardcore, and was completely blown away by their performance.  They had that immediacy and hunger that resides almost exclusively with young, furious hardcore bands.  After watching their live show, I quickly scrambled outside and picked up their Cross a Black Cat’s Path 7”.  Initially annoyed that I had to wait to get back to my record player in Canada to listen to it, I was pleasantly surprised when I got home I realized it was worth the wait.  Straight up hardcore done right.  It’s angry, the riffs are great, and “No End in Sight” is by-far my favourite hardcore song of the year.


 4. Pig Destroyer – Blind, Deaf, and Bleeding
Ok, is this technically a one-sided 12”?  And was it an accompaniment to their new full length, Book Burner, rather than a standalone release?  Well yes....and yes....BUT it’s Pig Destroyer covering 1980s hardcore songs!!!  Whether it is Black Flag’s “Depression”, Minor Threat’s “Betray”, or Void’s “Who Are You?”, this is Pig Destroyer paying homage to their roots by combining the raw intensity of these classics with Scot Hull & Co.’s unparalleled sonic fury.  So sure, I had to shoehorn this release into this category (which is also the reason it isn’t in the top 2), but there aren’t enough similar releases for me to make a “One-sided etched 12” EP that accompanies the Deluxe release of a new full length” category.  Also, if you tell me that you aren’t excited by the drummer of Misery Index playing Misfits and Negative Approach songs, then I assume you are an empty shell of a person.

 3. Single Mothers – Single Mothers
I will admit some bias in regards to this band as they hail from my hometown and I’ve played in bands with the drummer, but regardless of my hometown pride, this is one of the most impressive debuts I’ve heard in ages.  I mean, technically Single Mothers has an EP before this release, but on the self-titled 7-inch is where you see the band come into their own.  This release is filled with monstrous rock/punk/hardcore riffs, witty and insightful (without being smug or douchy) lyrics, and plenty of insanely-accurate references about London, Ontario.  All 4 tracks are flawless in my opinion, but “Hell is my Backup Plan” is the best indicator of what these grimy Canucks are capable of.

 2. Purity Control – Coping
For anyone not familiar with these Toronto, ON purveyors of powerviolence really need to smarten up and check them out.  The songs are short, the lyrics are bleak, and this 7” is proof positive that all of the anticipation for this release was not without merit.   Mixing blisteringly fast riffs with a hardcore sensibility really is a recipe for success for a listener like me, and Purity Control really is among the cream of crop with it comes to this unholy fusion.  Once again, if you aren’t into Purity Control you are fucking up.

 1. Graf Orlock – Los Angeles
I know that we were all sitting around, bitching about how there weren’t enough Heat-themed grindcore 7”s, but now that Graf Orlock have provided us with one, we really have nothing left to complain about.  Some people feel like cinema-grind legends may have lost a step on their Doombox 10”, but Los Angeles is a return to form, and further proof that there is no use counting this band out.  Graf Orlock has the unique ability of making grindcore songs that appeal far beyond the minute sub-set of music listeners that are grindcore fans.  They recognize that just because you write breakneck riffs doesn’t mean you have to forget about breakdowns, song-writing, or thematic continuity.  Oh ya, and the mix of a massive breakdown with the iconic/realistic gun sounds of the shoot-outs in Heat in “Quick on the Trigger” is a perfect example of you samples in grindcore can move beyond gimmick-status if done correctly.


So that's it for this first list of things we liked in 2012....be prepared for many more to follow!

Wednesday, 31 October 2012

Podcast: Ep. 17 - The World's Most Complicated Comedy Festival

Lost Tribe Podcast - Ep. 17: The World's Most Complicated Comedy Festival



In this episode the boys try and decipher how the Just For Laughs comedy festival worked this year in Toronto...and yes, it's much more complicated and ridiculous than you think.  The boys also talk about how great Pig Destroyer is and how insane metal vinyl prices are.  Finally, one member details the awesomeness of The Simpson's mobile video.

Get it on iTunes or here.

Tuesday, 9 October 2012

Review: Pig Destroyer - Book Burner

Pig Destroyer
Book Burner

Tracklisting:

1.   Sis   
2.   The American's Head   
3.   The Underground Man   
4.   Eve   
5.   The Diplomat   
6.   All Seeing Eye   
7.   Valley Of The Geysers   
8.   Book Burner   
9.   Machiavellian   
10.  Baltimore Strangler   
11.  White Lady   
12.  The Bug   
13.  Iron Drunk   
14.  Burning Palm   
15.  Dirty Knife   
16.  Totaled   
17.  Kamikaze Heart   
18.  King Of Clubs   
19.  Permanent Funeral



There are times when writing for this blog can be challenging.  We like to pump out reviews on a fairly regular basis, but since we have a what’s-the-point-of-ragging-on-an-album-you-don’t-care-about policy, it can sometimes be daunting to find albums that a) we enjoy, and b) that motivate to want to say something about them.  Fortunately, this summer and fall has been a boon for us, with album after album of incredible material, from Burning Love to Masked Intruder to Propagandhi, etc. etc.  It seemed to be getting too good to be true and I was somewhat worried that the last couple months of 2012 would be relatively slow in the review department.

And then Pig Destroyer put out an album.

For anyone not familiar with this Virginia-based quartet, they need to familiarize themselves with these giants of grind immediately.  Guitarist Scott Jull and company have long been known for producing some of the most inventive, genre-bending, mind-destroying grindcore this side of Napalm Death.  Everyone in metal seems to expect the world from each new Pig Destroyer release (especially after the bands last LP - 2007’s critically-acclaimed Phantom Limb), and Book Burner does not disappoint.  Shying away from the Phantom Limb’s lengthier song times, this record scarcely has a song over three minutes, with several scorchers clocking in well under one minute.  Songs like “The American’s Head” and “Book Burner” demonstrate that this band is still the force to be reckoned with that they were five years ago.  Furthermore, the ‘longer’ (re: 3 minute) tracks like “Baltimore Strangler” and “The Bug” are easily some of the best songs on the album.  In fact, I can honestly say that I haven’t heard a better metal song than “Baltimore Strangler” this year.  So there.

This album’s soul-crushing heaviness is further augmented by the drumming of newcomer Adam Jarvis (Misery Index) and guest vocals from Jason Netherton (Misery Index) and Kat of Agoraphobic Nosebleed fame (although it’s not fair to call them ‘guest vocals’...as she is the sole vocalist on “Eve”...so let’s call her a ‘Temporary Vocalist’ or something), which help add a depth and variation to Book Burner that is always welcomed.

Some reviewers have been complaining that Book Burner has strayed too far from the band’s last offering, and are lamenting the lack of opus-length tracks that the band has become known for, but I find this ridiculous, as I have no desire to hear Phantom Limb-part 2.  While some (most) grind bands are perfectly happy hashing and rehashing the same riffs/songs/everything on each album, Pig Destroyer has always proven that just because you play extreme music doesn’t mean it always has to sound the same.  

Book Burner stands on its own as an incredible piece of music, it’s that simple.  It is crushing, but not overwhelming.  It is frantic, but not rushed.  It is well-thought-out, but not overwrought.  And most importantly, it’s fucking Pig Destroyer...with the guy from Misery Index drumming!  Fuck yes!

Buy it here.