Showing posts with label Rival Mob. Show all posts
Showing posts with label Rival Mob. Show all posts

Monday, 25 February 2013

Review: The Rival Mob - Mob Justice

The Rival Mob
Mob Justice

Disclaimer: I wrote the following on my iPhone while pacing back and forth in my apartment during my 5th, 6th and 7th consecutive listen to this record. My hope was that it would add to the immediacy that seems appropriate with an album like this. In reality, it made for a bunch of borderline hyperventilating nonsense. I've left it as is for the sake of posterity... good luck. 

I'd like to begin by making a grandiose proclamation: The Rival Mob may well be the best thing in hardcore right now. Furthermore, they are probably the one band going today that I completely believe, 20 years down the line, will still be discussed in the hushed, reverent tones that we now reserve for the likes of Judge and Youth of Today.
 
Also, just so we're all on the same page, I think Mob Justice is an instant classic. The same way that some of my favorite albums connected with me immediately from the first listen, I knew from track one that this is a record that will be elevated to permanent rotation.
 
If you're not up for a bunch of hand jobs and Eskimo kisses, you may want to click away at this point.
 
Everybody good? Good.
 
At a very basic level, the most honest and accurate review I could concoct for Mob Justice would simply be to scream at the top of my lungs and then punch a fucking hole in the wall. It wouldn't be particularly insightful or clever, but it would sum my feelings up nicely.
 
The thing that continues to amaze me about this band is how they manage to sound tough (and angry as balls) while making that shit seem so goddamn effortless. I mean, there is a shitload and a half of tough, angry sounding hardcore bands in this world. Yet Rival Mob somehow makes them sound contrived and pose-y every time. And they do it while putting out records that are legitimately fun.
 
So, yeah... They may hate everything, but they seem to LOVE hating everything. And that's what, to me at least, makes them such any easy band care about. If you could give a fuck less about hardcore, it's easy to look at the insanity and flailing body parts and stomping around that make up any decent show and think: "That's just pointlessly violent. Someone's going to get hurt."
 
And that's fair enough. But, we do it because its cathartic and, most importantly, FUN. If we were really just a bunch of miserable, angry fucks, we'd be into black metal or Morrissey or something.
 
Musically, the band picks up nicely from where "Hardcore for Hardcore" left off back in 2010. The album also follows on the heels of the Mob Justice tape that made the rounds last year. People who are familiar with the tape will be pleased to know that the Intro has survived and makes a re-recorded appearance here. It still hits with just as much intensity, and will hopefully continue to serve as track one for their live show going forward. Shit goes HARD.
 
Boot Party was my favorite song on the demo and it's still a favorite here. The whole thing just demands to be sung along to. The same can be said about just about all 12 songs on the album. That, in my mind, is just about the highest praise you can heap on this type of record. The pits will be nuts.
 
I've seen people express disappointment that "Philcore for Philcore" didn't find its way to the LP. But, in fairness, that was never really an actual song. It was awesome, but not a song.
 
Basically, Rival Mob have delivered yet another slab of classic, kick-you-in-the-balls fucking hardcore. This is a record that can and will stand alongside any classic of the genre you care to put it up against. I know it's dangerous to go conferring classic status on a record before giving it a chance to age gracefully. But you can tell 5 minutes into this thing that it MATTERS.
 
It's as good as "The Kids Will Have Their Say" and "Is This My World."
 
It's as good as "Start Today" and "Bringin' it Down."
 
It's as good as "Set it Off" and the H2O self titled record.
 
"Give Blood," "Background Music," "Promised Kept," "Ill Blood," "A Life Less Plagued," "Lowest of the Low," "Hearts Once Nourished," "Fast Times...," "Witness..." The fucking Minor Threat Discography... It's as good as any of those, and probably better than half of them.
 
"Calm down, dude. You're being hyperbolic."
 
Fuck you. No, I'm not. This record is a goddamn beast you'll tell your grand kids about.

Thursday, 27 December 2012

2012 In Review: J's Favourite Music (Part I)

I hemmed and hawed a bunch about how to do this.

Should I do an EP list and an LP list? Should I break it up into genres? Should I put it in a carefully considered order? How many releases should I mention?

Eventually, I just curled up in the corner with a bottle of Sailor Jerry and a carton of egg nog, banging my head against a wall until I decided that it didn't matter how my list is structured. Which is why it WON'T be structured.

Here, in no order, are 10 music releases that I dug this year. I'll throw up another batch a little later.

Enjoy!

Masked Intruder - Masked Intruder




















Ok… Why?:

Because lots of punk bands are smart and angry. Lots of punk bands are stupid and fun. Some punk bands even manage to be stupid and angry. But precious few are legitimately clever and exuberantly, almost defiantly, fun.

Masked Intruder’s singular brand of lighthearted stalker punk hit a niche that I hadn’t realized I was aching for. You can overthink it as a commentary on the subtext of large swaths of pop music. But you can just as easily turn off that part of your brain and get lost in the fast, melodic and undeniable songs that make up this 13 track masterpiece.

Yeah, I said it.

Frost Giant – When Myth and History Merged Into Mystery




















Ok… Why?:

Because there aren’t a ton of records that legitimately surprise me anymore. Frost Giants EP caught me completely off guard. It fused disparate genres, many of which I had no previous affinity for, into something new and fun and, above all, greater than the sum of it’s parts.

Usually, when people slap the word “experimental” on a record what they mean is that it’s kind of unlistenable and they don’t want to admit that they don’t get it. The opposite is true here. Maybe this wasn’t an experiment. Maybe Frost Giant knew EXACTLY what they were doing.

Either way, no other record this year left me hitting repeat, and scrambling to tell as many people as would listen, to listen to it.

Yellow Stitches – Good Times and Violent Crimes



















OK… Why?:

Because I feel like Oi! is something of a lost art these days. When a Cock Sparrer tour generates more excitement than anything being done by a current band in this style, I think its safe to question the health of the genre. Bottom line: Oi! needs new blood.

This album delivers 16 fast catchy anthems on the subject of working, drinking and fighting HARD. Continuing the proud legacy of New England Streetpunk which includes the likes of the Ducky Boys and The Bruisers.

If you find a record this year that makes you want raise a fist and a pint while screaming along more than this one, I’d fucking LOVE to hear it.

Converge – All We Love We Leave Behind




















OK… Why?:

Because I always end up liking Converge records. It usually takes a while though.

This was the first time since Jane Doe that the immediacy and chaos that this band brings connected with me right from the start. Putting “Aimless Arrow” first probably had a lot to do with that. That song is downright infectious by Converge standards.

All I know is that when I finished All We Love We Leave Behind, I needed to hear it again immediately. It’s probably not as good as Jane Doe. But as far as I’m concerned, it’s the closest they’ve come.

Rival Mob – Mob Justice Tape



















OK… Why?:

Because The Mob continued their long standing tradition of releasing a promo tape to build anticipation for their forthcoming LP, even though it was blatantly unnecessary. That record is gonna be the biggest thing in hardcore when it comes out no matter what.

The tracks included here provided ample fuel for pit lunacy, and definitely leave you needing more. It’ll have to do until Revelation drops the full length early next year.

I predict that when the first Rival Mob shirts with the Revelation Star on the back come out, kids will be knifing each other for them like they were Air Jordans in 1986.

Macklemore & Ryan Lewis – The Heist




















OK… Why?:

Because its a rap record that argues FOR gay marriage and AGAINST buying Gucci. If this record did nothing else, it would have caught my attention on those two points alone.

Fortunately, it’s also a damn fine album that takes chances with it’s sound and it’s content. It reminds me most immediately of the first Kanye West album. A distinctly introspective record that still manages to get your head nodding. It’s also probably the most accessible (in the sense that normal people would like it) record that I fell in love with this year.

This is fucking awesome.

Mindset – Leave No Doubt




















OK… Why?:

Because, when it’s being done right, this kind of youth crew revival hardcore is probably the most invigorating sound that there is. And make no mistake, Mindset does it RIGHT. This record blends rage and positivity and straight edge in that very specific way that makes me wish I wasn’t such a drunk.

Mixtapes – Even On The Worst Nights




















OK… Why?:

Because I’ve been in love with this band since Maps came out in 2010. While their previous releases (and there have been a bunch) were always great, this album feels more mature without sacrificing any of the catchiness and fun. Balancing silliness and seriousness is a tough line to walk, but Mixtapes do that here.

Plus, the dual vocals from Ryan and Maura have never sounded so tight before.

Bad Religion – Fuck You (Single)




















OK… Why?:

Seriously? Because this is all that Bad Religion put out in 2012.

Frankly, 30 years in, this band has every reason to be terrible, and they’re not. I can’t think of too many bands, punk or otherwise, that have been this good for this long.

This one track, which will appear on the next full length, manages to sound like classic Bad Religion while still coming off as fresh and vital.

Fucked Up – Year Of the Tiger




















OK… Why?:

Because Fucked Up continues to drag hardcore, kicking and screaming, in new and interesting directions. I know they insist they’re not a hardcore band anymore, but the elements are always there. Besides which, Damian has probably my favorite hardcore voice out there right now.

Granted, the “Year of the…” records are generally the most experimental and indulgent things these guys put out, but it works amazingly well.

I still like “Year of the Pig” more, but this is right up there.

More to come!