Showing posts with label gaslight anthem. Show all posts
Showing posts with label gaslight anthem. Show all posts

Tuesday, 1 January 2013

L.'s Top 10 LPs of 2012

L.'s Top 10 LPs of 2012

I've heard a mix of grumblings and praise about 2012 from various music sources, but you'll hear nothing but praise from all of us here at Lost Tribe. Not only did a bunch of new or quasi-new bands put out stellar releases, but a whole gaggle of veterans returned to remind us all why we hold them in such high regard in the first place. In fact, 2012 (and this site/podcast) helped remind me why I love music so much in the first place. So without further adieu, here is my list of the 10 best LP's of the year....in my opinion....in no particular order.


Burning Love – Rotten Thing to Say

The fact that this group isn't headlining any/all hardcore festivals and tours by now is mind-boggling to me. Their mix of hardcore, punk, and rock is both refreshing and reminiscent of the band members' past works. While I've loved everything they've put out thus far, I was especially impressed with their sophomore LP. It's got a flow and coherence to it that not many hardcore albums have these days, and “Karla”, “Pig City I”, and “Hateful Comforts” are immediate classics in my books.





Pick Your Side – This is How Democracy Works

Speaking of southern Ontario hardcore veterans forming new bands, Haymaker's Jeff Beckman teamed up with Fuck the Facts' Johnny Ibay to put together this hardcore/metal Frankenstein that have helped to satisfy my unending Haymaker-craving. Fortunately, this isn't just a mindless rehashing of what these musicians have done in the past, and is, instead, an interesting mix of genres that are held together with an unceasing barrage of hate and aggression. In other words, it's fucking amazing.






Black Breath – Sentenced to Life

How many people got re-excited about metal by this release? After listening, and then re-listening to this album I started digging through old Slayer, Black Sabbath, etc. albums to relive my headbanging days of old, and I was just as happy listening to Black Breath as I was hearing the classics. Black Breath doesn't try to do anything too fancy...no cross-over, no overtures, no symphonic back-ups, just blistering riffs and galloping beats. This album made me headbang and thrash more than anything else put out this year.





Homewrecker – Worms and Dirt

Was anyone not blown away by these guys? As I said in my review, I had slept on this band's 7”'s, so I had no expectations when I first put it on, but I was beyond pleasantly surprised. What caught my attention was the fact that “Wreck”/”Worms and Dirt” is the best intro-into-first-song combo of the year, and the audio clip used in “Wreck” might be my favourite mix of sample/music that I've ever heard....and I played in hardcore bands in the 90s/early-2000s! Oh ya, the rest of the album kicks ass too!





Mindset – Leave No Doubt

Do you love youth crew hardcore? No, neither do I. Then why is this album on the list? Because it's good...really good. The first time I put this album on I listened to it all the way through 3 times in a row. I can't fully explain why this album is so far superior to all other youth crew releases of the last few years, but it is, and if you haven't heard it yet you are most definitely fucking up.








Column of Heaven – Mission From God

Canada doesn't often make a mark on the metal world like this these days, but Column of Heaven proves that you shouldn't count the Canucks out yet. Continuing The Endless Blockades' tradition of putting out uncompromising but well-thought-out metal, Column of Heaven should be on every metalhead's radar if they aren't already.









Gaslight Anthem – Handwritten

I think people might've expected Brian Fallon and Co. to settle down or peter out now that they've garnered significant mainstream success, but this album easily puts any naysayers in their place. The song writing is sharper, the hooks are catchier, and the rawness/rough edges that everyone loves about Fallon's lyrics are still abundantly present. My one complaint is that “Blue Dahlia” is the best song is on the album and it's not technically on the album (although it is on the Deluxe Edition)...so if you haven't picked up those extra tracks I suggest you do as soon as possible.




Rise and Fall – Faith

Because this album came out so early in the year I fear that many reviewers will inadvertently leave these Belgians off their list. Well, if that was the case, then shame on them! Rise and Fall easily please even the most ardent d-beat, hardcore, or metal fans with expertly written songs and crushing riffs. This band is able to effortlessly pull off the difficult mix of creating unrelenting music that never seems to get boring or stale. Most bands either hammer home the one thing they are good at until the sound of it makes you want to puke, or they try and get so experimental that you forget that you are listening to an actual song, but Rise and Fall always keeps the right balance of consistent and interesting.


Pig Destroyer – Book Burner

What should I say about Pig Destroyer that I haven't already said in my review, or that their unparallelled career full of metallic greatness doesn't already say? Everyone expected the best from this band, and unsurprisingly they delivered in spades. They moved away from the experimental elements of Phantom Limb while keeping all the intensity and excitement that their fans have come to expect. Listen to Book Burner and revel in its consistent glory...or listen to it as a metal musician and realize that you probably won't ever be as good as this band is on its worst day.




Propagandhi – Failed States

Now, since I didn't make this a numbered list, so I don't know if I am able to have a number one album, but if I were to say that there was an album of the year then this would undoubtedly be it. The melodies are haunting, the riffs are crushing, the technicality is mind-boggling, and the lyrics are everything that “punk” should be. I'll keep this written handjob short, but I am truly glad that this band exists and that they keep putting out such face-ripping classics.

Tuesday, 4 December 2012

2012 in Review: J's 5 Favorite Live Sets

Terror @ The Hard Luck

Us Lost Tribe weirdos go to a ton of shows.

Probably not as many as we should. We ARE getting older and we probably miss more shows than we actually get to. We go to more shows than normal people, anyways. Normal people only go to like 30 shows a year, right?

In any event, here is my completely non-scientific and poorly thought out list of my favorite live sets of the year. There's no order here because, you know... fuck numbers.

I reserve the right to revised this shit if my alcohol ravaged brain remembers something else I liked better. And as always, I'm speaking only for myself and not the rest of the gaggle over here.



Masked Intruder – The Horseshoe Tavern – Toronto – August 19, 2012


Anyone who listens to the podcast regularly will be familiar with the absurd amount of handjobs and eskimo kisses I’ve been throwing at this band all year. To summarize: I love this band a lot. Furthermore, I had the pleasure of catching these guys when they opened for Teenage Bottlerocket at the Horseshoe back in August.

The band powered through a healthy mix of tracks from across their 3 releases. Musically, they we're tight as all hell and sounded polished to the point that I can't help but buy into some of the rumors about who this band might ACTUALLY be. They really didn't sound like a group of dudes that just started playing together a few months previous.

As good as they were musically, it was the stage banter that made this show what it was. The band has chosen a gimmick and is sticking with it like a senator's wife. Every minute of the show maintained and underscored the running gag that is MI's whole persona. The fact that the whole thing is delivered with exaggerated, cartoonish Joi-sey accents (isn't this band meant to be from Wisconsin?) is just so ridiculous that it's perfect.

Legitimately funny as well. I seriously haven't laughed this hard at a punk show since forever.

Now that Fat Wreck has scooped these guys up, there should be plenty of chances to see them in your town in future. I can't recommend that shit enough. If you go, just keep an eye on your lady and your wallet. These dudes'll take both.


The Gaslight Anthem - Sound Academy - Toronto - November 25, 2012


My final show of the year was significant in that, after years of fandom, I finally got Gaslight crossed off my list of bands that I'd never seen. They did not disappoint at all. There's a reason that this band has become as big of a deal as they have. Brian Fallon is a crazy good front man and rest of the band provides a solid back bone for him in a live setting.

Honestly, after watching the last show they played here a few months earlier sellout in almost no time, and the crazy scalper feeding frenzy that ensued, just getting in the door for a reasonable price felt like an accomplishment. I suspect that the fact that they had played Toronto recently help keep the tickets relatively available. But, whatever, I just wanted in.

I'm not a huge fan of Sound Academy. If you don't have balcony tickets, the room usually feels too big. Getting in and out always seems to take about 5 minutes to long because of where the exits are. The beer is overpriced and only comes in cans. Lame.

Somehow, Fallon and them made the this 3000 person monstrosity feel like a far more intimate venue than should have been possible. I can't explain how they did it, but by the time they kicked into "Great Expectations" this felt like an honest to god punk show to me and not the radio sponsored, major label "concert" that it so clearly was.

Also, they played "Astro Zombies."

Dropkick Murphys - Hamilton Convention Center - Hamilton - November 17, 2012


Disclaimer: Dropkick Murphys are my favorite band. Ever.

I don't listen to them everyday, but there's is simply not a band that means more to me. Ken Casey & Company could put out a shitty record every year for the next decade and I'll still be there every time they play within 100KM of me. A shitty Dropkick record wouldn't even keep me off a plane to Boston every for St Paddy's Day that I can afford.

Even by my somewhat skewed standards, this show was awesome, managing to overcome both an absolutely horrendous venue and a crowd that left to be desired. They played a set list that featured a mix of songs from all eras, including some stuff of the upcoming record. Even the new songs didn't bum me out.

I fought through some kind of throat issue and screamed along to every song, fist held high. The whole time fully understanding that it would probably mean I wouldn't be able to talk the next day.

I couldn't talk for a fucking week. Worth it.

Bane - This Is Hardcore - The Electric Factory - Philadelphia - August 11, 2012


This one kind of feels like cheating. Half-assing it, at least.

We've sung the praises of This Is Hardcore on this blog and on the podcast so much that I don't feel like I have much else to add in terms of context to this.

Basically, Bane played to a sold out crowd of almost 3000 kids. No one stood still. No one stayed quiet. It was awe inspiring.

"Can We Start Again" was one of my favorite moments of the year. Musical or otherwise. 

Hoax - Siesta Nouveaux - Toronto - February 23, 2012


I saw Hoax three times this year. So, really, choosing one set for this list was kind an arbitrary process.
I'm giving the nod to this one based on the fact that it happened just over a month before Siesta Nouveaux closed down for good. That makes this the second to last show I saw in that delightful little cave. 2012 kicked Toronto Hardcore in balls something fierce. The city lost a great venue in Siesta and a goddamn phenomenal record store in Hits & Misses. I like Hard Luck & Rotate This just fine... not the same though.

Anyways, Hoax brought their normal (that word really doesn't feel right) ugly, hate filled 15 minutes of chaos and violence, powering a pit that cover basically every corner of Siesta's modest space. In my mind, the room was about 50 kids over capacity... but that probably wasn't the case.

Beer covered the floor. Debris flew through the air. A helpless box fan was destroyed. Blood was shed. The crowd united for the bile filled sing along that is "Faget." Then, drenched in a well earned coat of punk sweat, we all spilled out onto Lower Sherbourne.

RIP Siesta.

Stay tuned for more High Fidelity nonsense.