Showing posts with label Toronto. Show all posts
Showing posts with label Toronto. Show all posts

Wednesday, 22 May 2013

Podcast: Ep. 46 - I'ma Give You Five Bucks Right Now

Ep. 46: I'ma Give You Five Bucks Right Now

In this episode the boys explain the absolute clusterfuck that is the politics of the city of Toronto.  Specifically, we discuss how the 4th largest city in North America has an 'alleged' crackhead for a mayor.  Thank you Rob Ford for being an unending stream of embarassment for all of us.  On the second half of the show is dedicated to the trainwreck that was the season finale of Gordon Ramsey's Kitchen Nightmares.  Bon Appetite!

Get it on iTunes or here.

Thursday, 9 May 2013

Podcast: Ep. 44 - The Slutty Ari Gold

 
Ep. 44: The Slutty Ari Gold

On this horribly recorded podcast (don't worry, we've figured out our sound issues and every podcast after this one will sound like sonic gold...so don't get your panties in a bunch.) the boys talk about incredibly ridiculous and awesome sorority letter that has taken over the internet as of late.  We love her.  We hate her.  We love to hate her.  Once we get over our internet obsession, they discuss the repress of Cursed's legedary 'One' album, and other newer Toronto bands that are worth checking out.  Furthermore, the initial This Is Hardcore 2013 line-up was announced, so they talk about how great Kid Dynamite is.  Moving away from music, the guys talk about Newsroom, Game of Thrones, Once Upon a Time, and how even non-gamers should definitely play the Bioshock games.  Fuck Ayn Rand.

Get it on iTunes or here.

Tuesday, 27 November 2012

Review: Fucked Up - Year of the Pig



Fucked Up
Year of the Pig

Tracklisting:
1. Year of the pig
2. The Black Hats

Starting in 2006, Fucked Up began putting out a pretty-much-yearly 12 inch single (with b-side) centered around the Chinese “Year of the ____” zodiac calendar.  Starting with Year of the Dog, these annual releases usually go far beyond Fucked Up’s already bizarre musical purview, regularly resulting in long instrumental sections, 15+ minute tracks, and esoteric lyrical content.  In other words, these zodiac releases are where Fucked Up, an already weird and enigmatic band, gets to be more bizarre than usual.

While some might find the above description less-than-favourable, I actually mean it in the most endearing way.  These ‘Year of the...’ releases often result in some of the most interesting and enjoyable output by these Toronto legends.  While I regularly hunt down each of these releases, Year of the Pig has always held a special place in my musical heart.  Not only was this the release that solidified Fucked Up as one of my favourite all-time bands, but proved that you could add melodic female vocals and piano interludes to a 18 minute song and still rightfully call it ‘hardcore’.

The lyrical subject matter of the title track deals with Robert Pickton (a notorious serial killer, who fed his prostitute victims to his pigs to dispose of evidence) and the chronic mistreatment of sex workers in Canada.  With guest vocals by Jennifer Castles (Castlemusic), the group is able to present a haunting and compelling composition about an important and often overlooked social matter.  It’s proof that there truly isn’t anything that this band can’t do.  Oh ya, and it’s a 18 minute song that never gets boring, and I don’t think I’ve ever willingly skipped over in favour of a shorter song....and this coming from a guy who prefers grindcore and powerviolence to most other forms of music.

As if that wasn’t enough, the 12” single also comes with an original b-side called “The Black Hats” which is a pleasant mix of old/hardcore and new/progressive Fucked Up.  In fact, it’s one of those songs that I always secretly hope they play live and scream myself horse whenever they do.

Do yourself a favour and pick up all of Fucked Up’s zodiac records, but especially this one.  Get it here.


Tuesday, 13 November 2012

Review: Purity Control - Adjusting



Purity Control
Adjusting

Track Listing:
1. Dear Life
2. Insect Politics
3. Swallowing
4. Light Pollution
5. Mock Suicide
6. Gag Order

During this year’s Not Dead Yet Fest there was heightened anticipation for many bands: Boston Strangler, Iron Lung, Career Suicide, etc.  While this was all deserved, I was additionally excited to check out Toronto’s own Purity Control yet again.  Why would I be anticipating seeing a local band that plays shows on a fairly regular basis?  Because I like good music, that’s why. I like breakneck, blistering, bludgeoning music.

Now, the time it took you to read that last paragraph is about the time it will take you to listen Adjusting, one of Purity Control’s two new 7”’s (the other being the equally impressive, Coping).  Adjusting is 6 tracks (I added it up) hardcore-inspired power violence at its finest.  The first track, “Dear Life” begins with a trudging build-up that explodes into a furry of misanthropic fury.  The second track “Insect Politics” doesn’t allow for any slower tempos, delivering 27 seconds of raw grind power. After that there is a steady barrage of grinding power-violence with a trudging hardcore sentimentality that translates the bands on-stage intensity in a way that I wasn't sure was possible (needless to say, this band is a 'must-see' live act).  "Light Pollution" and "Gag Order" especially show exactly why this band is getting so much well-deserved buzz/press/whatever you call it when people talk about power-violence bands. 

Buy it straight from the band here.


Wednesday, 31 October 2012

Podcast: Ep. 17 - The World's Most Complicated Comedy Festival

Lost Tribe Podcast - Ep. 17: The World's Most Complicated Comedy Festival



In this episode the boys try and decipher how the Just For Laughs comedy festival worked this year in Toronto...and yes, it's much more complicated and ridiculous than you think.  The boys also talk about how great Pig Destroyer is and how insane metal vinyl prices are.  Finally, one member details the awesomeness of The Simpson's mobile video.

Get it on iTunes or here.

Tuesday, 11 September 2012

Recap: Riot Fest Toronto 2012



I'm not 100% sure how I feel about Riot Fest Toronto.

Maybe it's just the residual afterglow of the staggering experience that was This is Hardcore 2012. But after a great many hours spent standing around the Garrison Commons, I have to say I found the experience lacking. None of the blame for that should be laid at the feet of the performers. The sets that I caught we're uniformly awesome, each in their own way.

My gripes are really with everything surrounding the music. From the ubiquitous pimping of Jäger to the set up of the grounds to the available food options. When I wasn't watching some of my favorite bands, I found myself noticing all the places that shit could have (and should have) been better.

That being said, it always easy to find fault. And as far music festivals goes, this wasn't as bad as it could have been. Just, please, rent some goddamn lights next time. That's all the bitching I'm gonna do, I swear.

On to the good shit: Bands!

I, regrettably, missed the first three bands. I would love to have a good excuse for that because I generally go out of my way to support openers. But, as it turns out, I was just hung over... So, yeah. Kinda sucked. At the very least, I had wanted to catch Junior Battles since I really enjoyed their album from last year.

Because I showed up late, the first thing I managed to catch at Riot Fest was Andrew WK. I'm not really a fan. I think "Party Hard" was a fine, if ridiculous, radio song. But, the appeal of the rest of the guy's work escapes me. WK's set was billed as "a special solo performance" and I was super curious to see how THAT was gonna work. Turns out, they play the CD and Andrew WK sings, play keyboard and banters over top. It actually worked way better than it sounds. Honestly, it's pretty hard to fault the guy for what he does. He has certainly parlayed his persona into FAR more of a career than anyone had any reason to expect. At the end of the day, dude makes it his job to get people pumped and succeeds admirably at doing so. Not my cup of tea, but still glad I saw it. Homeboy is REALLY into parties.

Next up was The Lawrence Arms... From Chicago... Coolest band on the Fest... Their t-shirts were the cheapest. This was one of my most anticipated sets of the day since I've never seen the band before. It wasn't a let down, but I did have a gang of songs I wanted to hear that didn't make the set list. That's a personal problem though and the rest of the growing mob seemed satisfied. I'll have to be on the lookout for a show that these guys are headlining so they'll have time to play me all the songs I want. May need fly to Chicago for that one, though.

Less Than Jake was next up. If you don't like LTJ, you're fucking lying. That band has been awesome for 2 decades. Fact. I don't care if ska punk was supposed to die in the 90's, there are precious few genres I enjoy live more than this. They played a set that seemed focused on the past, and they even repeated a sentiment from the stage I've heard from them before: Never let a band tell you their new shit is better than their old. It isn't. And so we were graced with mostly the classics. "Look What Happened," "All My Best Friends Are Metalheads," "Johnny Quest Thinks We're Sellouts." Bottom line? Fuck yeah! The end.

I think maybe Hot Water Music needs be enjoyed in a smaller setting. I get that they're way past playing at, like, The Horseshoe, or whatever. But throughout the whole set, I just found myself wishing there we less people and natural light around. Something about that band has always screamed dark, smoke filled bar to me. Good set though, and they played "Trusty Chords" so I was happy. It also seemed like an oddly appropriate segue between Less Than Jake and Fucked Up. Don't ask me to explain how, because I can't. I just thought it worked.

Which leads me to the almighty Fucked Up. They are Fucked Up, everything they do is awesome as far as I'm concerned. This was the first time I'd seen them in months, which for me is a long time. And goddamn it, they rocked shit as usual. Damian left the stage early, never to return from the pit. Meanwhile, back on the stage, the rest of the band cranked out the usual wall of guitar driven sound that they are known for. The set relied heavily on David Comes To Life, with a few throwbacks mixed through for good measure. They didn't play "Son The Father," that's always a bummer. My only other complaint was that Damian promised that NOFX were gonna play "Drugs Are Good" and then they didn't. I know he's not in charge of that band, but it still hurt.

NOFX came up next and played a sloppy, disorganized set that had about as much banter as it did songs. They admitted that they hadn't played OR practiced in quite some time. There also seemed to be some disagreement about what songs were gonna be played. Overall, the whole thing smacked of a profound lack of professionalism. So...  A NOFX show. But I've loved that band for more than half my life and there is really nothing they can do that will change that now. I'm just too goddamn invested at this point. Besides, complaining about about how sloppy and juvenile a NOFX set gets is a lot like complaining that South Park is tasteless. The problem REALLY isn't the show. It's 2012, and you should have known what you were getting into.

Finally, Descendents played to about half as many people as NOFX. That shit is lame. More people should have stayed. Seriously, show some fucking respect. If Fat Mike and them gave us a sloppy and unpolished spectacle, Milo and company delivered a tight and blistering display of proficiency. This band doesn't NEED to be this good at this point. Frankly, none of us has any right to EXPECT them to be this good. And yet, they still take the stage, at damn near 50 years old, and show the kids how shit is done. It's nothing short of fucking inspiring. I still need to see them do "'Merican" live, maybe someday.

So yeah... The music delivered in spades. Not a bad set to be had. There were issues with the logistics and amenities. I managed to pay $5 for, mathematically, the WORST hot dog in recorded sausage history. That was shitty.

But, a week from now, I'll remember the music... Not the lack of seating and 25$ T-shirts.

Seriously, fuck that hot dog though. That was bullshit.

Friday, 15 June 2012

Review: Fucked Up - No Pasaran 7"


Fucked Up
No Pasaran 7”

Track Listing:
1. No Pasaran
2. Circling the Drain


I’ll start this review off with an admission:  I love Fucked Up.  Being along for the musical ride that is Fucked Up, from stripped down hardcore to esoteric/complex indie/punk/rock/operatic/hardcore/whatever, has been an interesting journey to say the least.  I’ve never been one for embracing an album just because it came from a band I like, so I’m being honest when I say that I truly enjoy every 7”, EP, LP and Double LP that this band has ever put out based on the merits of the music.  I don’t know if I just happened to grow musically as the band progressed, but I thoroughly enjoy “The Other Shoe” as much as I do “Police” or “Circling the Drain”.

Despite my expansive hard-on for this band, I will always have a special love for the No Pasaran 7”.  It was the first thing I ever heard from Fucked Up, after being initially attracted to them because of their name and the fact that they were from Southern Ontario.  I was immediately intrigued when “No Pasaran” began with a clip about the Spanish anarchist movement.  As a political ideology I’ve always identified closely with anarchism, although like most I despise the mall-punk mentality it often gets associated with.  So instead of just having a clip saying something dumb about “The Man”, I had found a band that associated with a historical/political movement that I was interested in....in other words, I was fucking hooked.  Once the music began I was even happier, as the raw wall of noise that was early Fucked Up was exactly what I thought stripped-down hardcore should sound like.  

My impression was totally solidified when I flipped the record over and had the change to listen to “Circling the Drain”.  As far as B-sides go, this definitely stands out.  It was catchy but also fast, angry, and loud.  The chorus will get stuck in your head for days, and the riffs still hold up a decade later.

Here at Lost Tribe we’ve talked about not simply reviewing new records, so here is the first foray into what we consider ‘classics’ in one form or another.   In other words, be prepared for a bunch of aging punks to reminisce about many more records from their ‘glory’ days.

p.s.  I do realize that I used the words “hard-on”, “love”, and “attracted” in this review, but I swear the whole thing sounded way less sexual in my head.

Buy it from ebay or something because it isn’t available from Deranged Records.

Sunday, 1 April 2012

Review: Purity Control - Revisiting



Toronto Hardcore really seems unstoppable these days.

It seems like every week, yet another new band it starting up. And every time I see one of these new bands, all I’m left saying is “fuck… that was awesome.” Maybe I’m getting less judgmental in my old age, but I can’t remember the last time I was let down at a TOHC show.

I’m sure there’s some pretty blatant localism on my part in there too, but fuck it.

Which brings me to Purity Control: Among my town's premier purveyors of pummeling powerviolence. Alliteration, shit yeah.

These three songs are meant to be taste of what’s to come one the PC release that (I think?) High Anxiety is doing. And if this is any indication of things to come, I’m excited.

I’m not sure what was different in the recording of these tracks, but this sound here is cleaner than it was on the two demos I’d heard before. It makes for a much better listen and, frankly, demonstrates much more clearly what the band is capable of. The demos were great, but it’s great to be able to hear the band without feeling like I’m fighting the technology.

If this were an actual release that anyone was being asked to pay for, I would have to say that it comes up a bit short. I mean, even powerviolence EPs should be like 7 minutes long. But as a teaser/proof of concept/statement of intent this is more than adequate.

Even live, Purity Control is more sprint than marathon. So in that context, this 3 song teaser feels more than a little appropriate. This thing hits the gas, rages for just under three minutes and leaves you scrambling to the High Anxiety website to try and buy more of this.

You’re gonna need to wait. But, when the real thing is let loose it’ll be a force to be reckoned with.