Showing posts with label propagandhi. Show all posts
Showing posts with label propagandhi. Show all posts

Tuesday, 1 January 2013

L.'s Top 10 LPs of 2012

L.'s Top 10 LPs of 2012

I've heard a mix of grumblings and praise about 2012 from various music sources, but you'll hear nothing but praise from all of us here at Lost Tribe. Not only did a bunch of new or quasi-new bands put out stellar releases, but a whole gaggle of veterans returned to remind us all why we hold them in such high regard in the first place. In fact, 2012 (and this site/podcast) helped remind me why I love music so much in the first place. So without further adieu, here is my list of the 10 best LP's of the year....in my opinion....in no particular order.


Burning Love – Rotten Thing to Say

The fact that this group isn't headlining any/all hardcore festivals and tours by now is mind-boggling to me. Their mix of hardcore, punk, and rock is both refreshing and reminiscent of the band members' past works. While I've loved everything they've put out thus far, I was especially impressed with their sophomore LP. It's got a flow and coherence to it that not many hardcore albums have these days, and “Karla”, “Pig City I”, and “Hateful Comforts” are immediate classics in my books.





Pick Your Side – This is How Democracy Works

Speaking of southern Ontario hardcore veterans forming new bands, Haymaker's Jeff Beckman teamed up with Fuck the Facts' Johnny Ibay to put together this hardcore/metal Frankenstein that have helped to satisfy my unending Haymaker-craving. Fortunately, this isn't just a mindless rehashing of what these musicians have done in the past, and is, instead, an interesting mix of genres that are held together with an unceasing barrage of hate and aggression. In other words, it's fucking amazing.






Black Breath – Sentenced to Life

How many people got re-excited about metal by this release? After listening, and then re-listening to this album I started digging through old Slayer, Black Sabbath, etc. albums to relive my headbanging days of old, and I was just as happy listening to Black Breath as I was hearing the classics. Black Breath doesn't try to do anything too fancy...no cross-over, no overtures, no symphonic back-ups, just blistering riffs and galloping beats. This album made me headbang and thrash more than anything else put out this year.





Homewrecker – Worms and Dirt

Was anyone not blown away by these guys? As I said in my review, I had slept on this band's 7”'s, so I had no expectations when I first put it on, but I was beyond pleasantly surprised. What caught my attention was the fact that “Wreck”/”Worms and Dirt” is the best intro-into-first-song combo of the year, and the audio clip used in “Wreck” might be my favourite mix of sample/music that I've ever heard....and I played in hardcore bands in the 90s/early-2000s! Oh ya, the rest of the album kicks ass too!





Mindset – Leave No Doubt

Do you love youth crew hardcore? No, neither do I. Then why is this album on the list? Because it's good...really good. The first time I put this album on I listened to it all the way through 3 times in a row. I can't fully explain why this album is so far superior to all other youth crew releases of the last few years, but it is, and if you haven't heard it yet you are most definitely fucking up.








Column of Heaven – Mission From God

Canada doesn't often make a mark on the metal world like this these days, but Column of Heaven proves that you shouldn't count the Canucks out yet. Continuing The Endless Blockades' tradition of putting out uncompromising but well-thought-out metal, Column of Heaven should be on every metalhead's radar if they aren't already.









Gaslight Anthem – Handwritten

I think people might've expected Brian Fallon and Co. to settle down or peter out now that they've garnered significant mainstream success, but this album easily puts any naysayers in their place. The song writing is sharper, the hooks are catchier, and the rawness/rough edges that everyone loves about Fallon's lyrics are still abundantly present. My one complaint is that “Blue Dahlia” is the best song is on the album and it's not technically on the album (although it is on the Deluxe Edition)...so if you haven't picked up those extra tracks I suggest you do as soon as possible.




Rise and Fall – Faith

Because this album came out so early in the year I fear that many reviewers will inadvertently leave these Belgians off their list. Well, if that was the case, then shame on them! Rise and Fall easily please even the most ardent d-beat, hardcore, or metal fans with expertly written songs and crushing riffs. This band is able to effortlessly pull off the difficult mix of creating unrelenting music that never seems to get boring or stale. Most bands either hammer home the one thing they are good at until the sound of it makes you want to puke, or they try and get so experimental that you forget that you are listening to an actual song, but Rise and Fall always keeps the right balance of consistent and interesting.


Pig Destroyer – Book Burner

What should I say about Pig Destroyer that I haven't already said in my review, or that their unparallelled career full of metallic greatness doesn't already say? Everyone expected the best from this band, and unsurprisingly they delivered in spades. They moved away from the experimental elements of Phantom Limb while keeping all the intensity and excitement that their fans have come to expect. Listen to Book Burner and revel in its consistent glory...or listen to it as a metal musician and realize that you probably won't ever be as good as this band is on its worst day.




Propagandhi – Failed States

Now, since I didn't make this a numbered list, so I don't know if I am able to have a number one album, but if I were to say that there was an album of the year then this would undoubtedly be it. The melodies are haunting, the riffs are crushing, the technicality is mind-boggling, and the lyrics are everything that “punk” should be. I'll keep this written handjob short, but I am truly glad that this band exists and that they keep putting out such face-ripping classics.

Wednesday, 3 October 2012

Lost Tribe Podcast: Episode 13 - Propagandhi, Fan Expo, and X-Files

Lost Tribe Podcast: Episode 13 - 
Propagandhi, Fan Expo, and X-Files


In this episode the boys continue to discuss the greatness of Propagandhi before moving onto a recap of this year's Fan Expo (re: Gathering of the super nerds) in Toronto.  Lost Tribe's own Mike recounts his time working at Fan Expo and what it's like to get boners over girls dressed like cartoon characters.  Finally, each member takes his turn recounting his favourite X-files episode.

Get it on iTunes or here.

Wednesday, 12 September 2012

Podcast: Episode 10 - Nu-Metal Confessions

Lost Tribe Podcast: EP. 10 - Nu-Metal Confessions


In this episode the boys reveal all.  An intelligent discussion about Propagandhi devolves into cathertic confessions of our former love for all thing nu-metal.  If you weren't a teenager in the '90s this ain't gonna make a lick of sense to you.  Probably the best podcast we've ever recorded. Fact.

Get it off of iTunes or download it here and revel in our shame.

Wednesday, 29 August 2012

Review: Propagandhi - Failed States


Propagandhi
Failed States
Track listing
01. Note to Self
02. Failed States
03. Devil’s Creek
04. Rattan Cane 
05. Hadron Collision
06. Status Update
07. Cognitive Suicide
08. Things I Like
09. Unscripted Moment
10. Dark Matters
11. Lotus Gait
12. Duplicate Keys Icaro (An Interim Report)

Let’s start with a brief recounting of my personal history with Propagandhi.  I first heard them on some fat wreck comp and immediately dug their snotty-but-not-stupid brand of skate-punk.  I quickly bought How to Clean Everything and Less Talk, More Rock.  While I loved all the now-classics on How to Clean... (“Anti-Manifesto”, “Ska Sucks”, etc.) I was drawn to the sharpened wit and introspective nature of Less Talk.  I was so enamoured that I actually played one side of the record every morning before I left for school for an entire year.
After waiting in line for HMV to open so that I could buy Today’s Empires, Tomorrow’s Ashes, I was confused and impressed.  It seemed like this smart-but-silly punk band I loved had suddenly became a dark, driven, political, musical force to be reckoned with.  The riffs were sharper, the lyrics more biting, and the songs more complex.  In short, Propagandhi had grown up.

Ever since that day I patiently wait for new Propagandhi albums.  I obsess over clips and songs that get released (I also apparently write reviews for single songs that they release) and I scour the internet for leaked copies while simultaneously pre-ordering the record as soon as possible.  I don’t only do this because Propagandhi is arguably my favourite band of all time, but because ever since the days of Today’s Empires they have been constantly changing and evolving with each release.  And to be honest, one of the reasons I wait so eagerly is because I’m always waiting to be disappointed.  I figure eventually they will take a left turn off a musical cliff and, as a fan I won’t be willing to follow.

Fortunately, my fears have once again been put to rest.  From the opening notes of “Note to Self” I realize that, while evolved, Failed States is a Propagandhi album in the truest sense of the word.  The riffs are intricate, but catchy, the lyrics are meaningful but broadly political, and the song-writing is complex without being wankerish.  I would also nominate the opening track as the best song on the album, but that is not an easy decision as the album never really relents or weakens in any real way.

While the title track and Devil’s Creek demonstrate why singer/guitarist Chris Hannah is arguably the best songwriter in punk today, “Rattan Cane”, “Hadron Collision”, and “Cognitive Suicide” help hoist Todd the Rodd into the spotlight as an eminent writer/front-man in his own right.  His songs have always been, and continue to be heavier and more metallic, which is the perfect musical juxtaposition to lyrics that are acutely personal and revealing.  That’s right, I used the words “musical juxtaposition”...that’s how you know this is a fancy music review.

Two more tracks that stand out are “Unscripted Moment” and the closer “Duplicate Keys Icaro (An Interim Report)”.  Both tracks show off the musical complexity that a group like Propagandhi is capable of, with several riffs reminiscent of guitarist David Guillas’ previous project Giant Sons. 

In summation, there is nothing I would change about this album.  It will please any Propagandhi fan without leaving them feeling like this is a rehash of older material.  The band continues to outdo pretty much everyone by evolving into one of the most interesting, intelligent band to ever deliver face-shredding riffs.  If I gave out ratings this album would get 5 masturbating dicks out of 5.  I know that another review on the site listed the Masked Intruders’ record as his ‘Album of the Year’, but I think Propagandhi will likely take that honour for me.

Buy all of the copies you can right here.

Tuesday, 17 July 2012

Review: Propagandhi - Failed States (Single)

Propagandhi
Failed States(Single)

Ok, so it may be slightly ridiculous to review a single song, but a while back we reviewed a 2-song Fucked Up release and no complained, so why not?  Plus, this is really just an excuse to gush over Propagandhi and what a monumentally important and incredible band they are.

 First off, "Failed States" is the title track of the new Propagandhi full-length that comes out in September (also called Failed States).  For many, Propagandhi was a Fat Wreck punk band with catchy little tracks like "Ska Sucks" and "Anti-Manifesto".  While those songs still hold up, I know many people who didn't give them much thought after they had grown up a little and decided that ska-based fatwreck punk wasn't for them any longer.  While I find that sentiment understandable, in the case of Propagandhi it was a mistake to say the least.  Rather than sticking with tongue-in-cheek ska punk, Propagandhi slowly became masters of thrash-influenced punk, trading their teenage tirades in for expertly crafted and intelligent songs that appeal to any politically-minded music lover. 

In this regard, "Failed States" fits right into the evolution of Propagandhi.  Even more thrash-influenced than many tracks off of Potemkin City Limits or Supporting Caste,  this song melds metallic riffs with Chris Hannah's signature voice, using time signature changes and samples to fill out an already incredible song.  As always, Hannah's lyrics put most other band's to shame.  Writing politically meaningful songs isn't the easiest task, as many come off sounding juvenille, preachy, or an ungodly annoying combination of the two. Propagandhi, on the other hand, have figured out a way to sound earnest, honest, and well-informed without having to sacrifice content for the sake of making lyrics fit or sound 'right'.

In short, listen to this song and get very excited for the release of their full length on Sept. 4th.

Listen to the song "Failed States" here.

Pre-order the Failed States LP here.

Wednesday, 27 June 2012

Review: Swallowing Shit - Anthology

Swallowing Shit
Anthology

Track Listing:
 1. Lyrics That May Offend the Honkys
2. Burn Winnipeg to the Fucking Ground
3. If Assholes Could Fly, This Place Would Be An Airport 
4. Pro-Abortion, Anti-Christ 
5. A Dying Hope for a Gender Exclusive Scene
6. I May be P.C. (whatever the fuck that means), But You're a Goddamn Poseur
7. More Lyrics That May Offend the Honkys
8. You're Not Old School, You're Just Old
9. Christian Metal = Nazi Reggae
10. Riel
11. I Heard Songs About Animal Rights Aren't Cool Anymore
12. Ruins
13. If They Hated Me, They Will Hate You
14. Scathe
15. Overcome By... plus additional, shittier sounding tracks



Hailing from Winnipeg, Swallowing Shit was a side-project for many of the city’s punk/metal elite.  Featuring past and future members of bands like I Spy, Malefaction, Head Hits Concrete, and Propagandhi, Swallowing Shit became the logical conclusion of a hyper-political, metal-obsessed city whose main concern was the political messages carried in their music.  Whether you call them grindcore or power-violence, this group took everyone to task in their brief and chaotic songs.  From “Burn Winnipeg to the Fucking Ground” to “Pro Abortion, Anti Christ”, Swallowing Shit welcomed controversy and discussion about their lyrics.  What I doubt they expected was the enacting of a century-old ordinance prohibiting challenges to the church that barred them from playing within the Winnipeg city limits, but that’s exactly what they got.

I mentioned living in a musical bubble at the beginning of this review, and what I meant by that was this:  Swallowing Shit meant the world to me. I mean it.  I would listen to their discography for hours on end, deciphering and memorizing lyrics, reading liner notes, and playing them for everyone I knew.  That being said, they honestly didn’t seem to make that big of an impact outside of my inner circle of friends.  I know that they’ve been praised for their releases to a certain degree, but I honestly thought they were within the top 5 most important metal bands of all time.  Now, I was 17 and prone to hyperbole, but that was my honest opinion, and that opinion still holds true to this day.  I may be way off, but when it comes to things like this who is to say.

So if you are an impressionable, politically active teenager I can’t recommend this release highly enough. If you are a fan of grincore, power violence, or aggressive/atheist/intelligent lyrics, then this is also the record for you.

...but if you don’t at least smirk at the lyric “Your god is dead, we ate what we couldn’t fuck!”, then you sir/madam, are probably going to hate this album.