Showing posts with label TOHC. Show all posts
Showing posts with label TOHC. Show all posts

Thursday, 9 May 2013

Podcast: Ep. 44 - The Slutty Ari Gold

 
Ep. 44: The Slutty Ari Gold

On this horribly recorded podcast (don't worry, we've figured out our sound issues and every podcast after this one will sound like sonic gold...so don't get your panties in a bunch.) the boys talk about incredibly ridiculous and awesome sorority letter that has taken over the internet as of late.  We love her.  We hate her.  We love to hate her.  Once we get over our internet obsession, they discuss the repress of Cursed's legedary 'One' album, and other newer Toronto bands that are worth checking out.  Furthermore, the initial This Is Hardcore 2013 line-up was announced, so they talk about how great Kid Dynamite is.  Moving away from music, the guys talk about Newsroom, Game of Thrones, Once Upon a Time, and how even non-gamers should definitely play the Bioshock games.  Fuck Ayn Rand.

Get it on iTunes or here.

Tuesday, 27 November 2012

Review: Fucked Up - Year of the Pig



Fucked Up
Year of the Pig

Tracklisting:
1. Year of the pig
2. The Black Hats

Starting in 2006, Fucked Up began putting out a pretty-much-yearly 12 inch single (with b-side) centered around the Chinese “Year of the ____” zodiac calendar.  Starting with Year of the Dog, these annual releases usually go far beyond Fucked Up’s already bizarre musical purview, regularly resulting in long instrumental sections, 15+ minute tracks, and esoteric lyrical content.  In other words, these zodiac releases are where Fucked Up, an already weird and enigmatic band, gets to be more bizarre than usual.

While some might find the above description less-than-favourable, I actually mean it in the most endearing way.  These ‘Year of the...’ releases often result in some of the most interesting and enjoyable output by these Toronto legends.  While I regularly hunt down each of these releases, Year of the Pig has always held a special place in my musical heart.  Not only was this the release that solidified Fucked Up as one of my favourite all-time bands, but proved that you could add melodic female vocals and piano interludes to a 18 minute song and still rightfully call it ‘hardcore’.

The lyrical subject matter of the title track deals with Robert Pickton (a notorious serial killer, who fed his prostitute victims to his pigs to dispose of evidence) and the chronic mistreatment of sex workers in Canada.  With guest vocals by Jennifer Castles (Castlemusic), the group is able to present a haunting and compelling composition about an important and often overlooked social matter.  It’s proof that there truly isn’t anything that this band can’t do.  Oh ya, and it’s a 18 minute song that never gets boring, and I don’t think I’ve ever willingly skipped over in favour of a shorter song....and this coming from a guy who prefers grindcore and powerviolence to most other forms of music.

As if that wasn’t enough, the 12” single also comes with an original b-side called “The Black Hats” which is a pleasant mix of old/hardcore and new/progressive Fucked Up.  In fact, it’s one of those songs that I always secretly hope they play live and scream myself horse whenever they do.

Do yourself a favour and pick up all of Fucked Up’s zodiac records, but especially this one.  Get it here.


Tuesday, 13 November 2012

Review: Purity Control - Adjusting



Purity Control
Adjusting

Track Listing:
1. Dear Life
2. Insect Politics
3. Swallowing
4. Light Pollution
5. Mock Suicide
6. Gag Order

During this year’s Not Dead Yet Fest there was heightened anticipation for many bands: Boston Strangler, Iron Lung, Career Suicide, etc.  While this was all deserved, I was additionally excited to check out Toronto’s own Purity Control yet again.  Why would I be anticipating seeing a local band that plays shows on a fairly regular basis?  Because I like good music, that’s why. I like breakneck, blistering, bludgeoning music.

Now, the time it took you to read that last paragraph is about the time it will take you to listen Adjusting, one of Purity Control’s two new 7”’s (the other being the equally impressive, Coping).  Adjusting is 6 tracks (I added it up) hardcore-inspired power violence at its finest.  The first track, “Dear Life” begins with a trudging build-up that explodes into a furry of misanthropic fury.  The second track “Insect Politics” doesn’t allow for any slower tempos, delivering 27 seconds of raw grind power. After that there is a steady barrage of grinding power-violence with a trudging hardcore sentimentality that translates the bands on-stage intensity in a way that I wasn't sure was possible (needless to say, this band is a 'must-see' live act).  "Light Pollution" and "Gag Order" especially show exactly why this band is getting so much well-deserved buzz/press/whatever you call it when people talk about power-violence bands. 

Buy it straight from the band here.


Sunday, 1 April 2012

Review: Purity Control - Revisiting



Toronto Hardcore really seems unstoppable these days.

It seems like every week, yet another new band it starting up. And every time I see one of these new bands, all I’m left saying is “fuck… that was awesome.” Maybe I’m getting less judgmental in my old age, but I can’t remember the last time I was let down at a TOHC show.

I’m sure there’s some pretty blatant localism on my part in there too, but fuck it.

Which brings me to Purity Control: Among my town's premier purveyors of pummeling powerviolence. Alliteration, shit yeah.

These three songs are meant to be taste of what’s to come one the PC release that (I think?) High Anxiety is doing. And if this is any indication of things to come, I’m excited.

I’m not sure what was different in the recording of these tracks, but this sound here is cleaner than it was on the two demos I’d heard before. It makes for a much better listen and, frankly, demonstrates much more clearly what the band is capable of. The demos were great, but it’s great to be able to hear the band without feeling like I’m fighting the technology.

If this were an actual release that anyone was being asked to pay for, I would have to say that it comes up a bit short. I mean, even powerviolence EPs should be like 7 minutes long. But as a teaser/proof of concept/statement of intent this is more than adequate.

Even live, Purity Control is more sprint than marathon. So in that context, this 3 song teaser feels more than a little appropriate. This thing hits the gas, rages for just under three minutes and leaves you scrambling to the High Anxiety website to try and buy more of this.

You’re gonna need to wait. But, when the real thing is let loose it’ll be a force to be reckoned with.

Tuesday, 27 March 2012

Review: Wasteoids - Demo 2011



Here are all the things I knew about this Wasteoids tape when I bought it:

1) Blank Stare put it out. Usually a good sign.
2) Jonah from Fucked Up recorded it.
3) Chris from Cursed has a vocal cameo.

As far as pedigree goes, that’s pretty solid.  It doesn’t say much about what the band actually sounds like though.

Fortunately, the tape manages mark out some fairly distinct territory. Wasteoids play solid street/oi! Influenced hardcore. The 4 songs here range from mid tempo and head nodding on “Moon People,” to full speed and balls out on “The Wasteoid Crew.” The whole thing manages to be catchy as all hell to boot.

I defy you to NOT scream “Fuck You! Give me a beer! I came to party!” during the last song. I just caught myself doing that, and I’m sitting in my apartment by myself.

So, here’s the thing, I got into hardcore through punk. As much love as I have for a great many metal based HC bands, I will ALWAYS get behind a band that keeps it simple, keeps it dirty and keeps it fun. This Wasteoids tape fits that description in spades.

Good shit.

Wednesday, 21 March 2012

Review: Demolition - Demo 2012

Demo 2012

Track listing:
1. Intro//Here To Stay
2. Don't Need Your Help
3. Us Against You
4. United We Stand

“I won’t play your games. I don’t need your help.”

Hardcore can, at times, be guilty of letting itself get way too fancy.

It can be exciting to hear some band take shit in interesting, genre expanding directions. Once in a while, I like a “hardcore” record I can play for normal people without them looking at me like I just pissed on their couch. Most of the time though, I go to hardcore looking for fast, ugly aggression. That’s what it’s there for.

Which brings me to this demo tape by Ontario’s Demolition.

This thing delivers 4 tracks  (well… 4 and a half. There’s an intro) of straight up HC punk in just over 5 minutes.  It plows through its run time pretty quick, but changes it up enough that you can tell the songs apart. Generally, Demolition keep up the pace but have enough slow, stompy parts to get your head nodding. With the right crowd, I could see this being a lot of fun live.

Lyrics-wise, Demolition sticks to the hardcore standards. Generally revolving around not taking a bunch of shit off of anyone. It’s all delivered via a solid, if unremarkable vocalist whose name I don’t know because the tape doesn’t have credits.

I always have a hard time pegging influences for bands like this. It just reminds me of OLD hardcore records. Do you like old hardcore records? Specifically, old East Coast hardcore records. Fast, pissed… no metal or whatever the fuck else? Then this is up your alley.

It ain’t pretty. It ain’t slick. It’s 5 and change minutes of angry kids venting spleen.  If that shit was ever gonna get old, it would have by now.