Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, 19 June 2013

Podcast: Ep. 50 - Call of Duty Dogs

 
Ep. 50: Call of Duty Dogs

In this episode the boys discuss international Slayer purchases, the official release of Xbox One, and the battle lines that have now been drawn between Microsoft and Sony's PS4.  The reason we can have this debate is because E3 has happened and all sorts of glorious new techy things have been announced that the boys talk about, rate, and drool over. As a bonus, more invested members of Lost Tribe explain everything about the evolution of video games to those less in-the-know.  Finally, Marvel movies get some talk time as everyone ponders why Guardians of the Galaxy is becoming a blockbuster.

Get it on iTunes or here. 

Wednesday, 22 May 2013

Podcast: Ep. 46 - I'ma Give You Five Bucks Right Now

Ep. 46: I'ma Give You Five Bucks Right Now

In this episode the boys explain the absolute clusterfuck that is the politics of the city of Toronto.  Specifically, we discuss how the 4th largest city in North America has an 'alleged' crackhead for a mayor.  Thank you Rob Ford for being an unending stream of embarassment for all of us.  On the second half of the show is dedicated to the trainwreck that was the season finale of Gordon Ramsey's Kitchen Nightmares.  Bon Appetite!

Get it on iTunes or here.

Wednesday, 15 May 2013

Podcast: Ep. 45 - Slayer!!!

 
Ep. 45 - Slayer!!!

This week the boys begin by discussing Iron Man 3 (dont' worry, no spoilers) and happy-go-lucky music that seems to have an appeal during summer time. From there the majority of the episode focuses on the passing of Slayer guitarist Jeff Hanneman and what it has meant to the metal community and to each of the boys themselves.  This was a musician who was a true juggernaut, and almost single-handedly transformed what Trash Metal guitar playing was.  He wrote Angel of Death.  He wrote Reign in Blood.  And now he's dead.  Fuck.  RIP.

Get it on iTunes or here.

Wednesday, 10 April 2013

Podcast: Ep. 40 - The Marshall Mathers Episode

Lost Tribe Podcast
 

Ep. 40: The Marshall Mathers Episode

In this episode the boys talk about awesome hardcore (Incendiary, Rotting Out and Shai Hulud) and our decline in the interest in rap battles (for a cornucopia of reasons).  The conversation then drifts towards some rappers inability to write full records and just how incredible Eminem was and probably could still be if he would just stop putting out utter nonsense.  Also, the boys apologize for the utter shit music that Canada is known for putting out (we have good music I swear!  We had(ve) No Warning!  Cursed!  Fucked Up! Stompin’ Tom!) .  Then everything gets insanely sad when the documentary The Invisible War is discussed.  

Get it on iTunes or here.

Wednesday, 6 March 2013

Podcast: Ep. 35 - The Pope Gave Up and Red Dawn was Good

Lost Tribe Podcast
 

Ep. 35: The Pope Gave up and Red Dawn was Good

In this episode we finally get the ol' gang back together and discuss what was missed during the past few weeks.  There is talk about the meteor, comics, and other topics that were discussed in the last few episodes.  Once new topics are brought up there is lots of questions about how the hell you quit being the pope and how it will not affect our lives in any way.  At all.  Following this, there is much debate over the show Girls and what year the Sidekick phone came out.  The show 24 is held up as an impressive series and the remake of Red Dawn is given waaaaaaaay too much thought (but it's good, we swear!).

Get it on iTunes or here.

Thursday, 17 January 2013

Lost Tribe Podcast - Ep. 28: Alex Jones vs. The Reverse Vampires

Lost Tribe Podcast
 

Ep. 28: Alex Jones vs. The Reverse Vampires

In this episode the boys spend an entire hour dissecting and discussing Alex Jones.  Is he a demagogue? A prophet? A crusader? A fucking nut job? Well each of the boys and the special guest have lots to say about the issue. Stemming from that, the discussion shifts to 9/11 truthers, chem trails, and of course the reverse vampires. Put on your tin foil hats and enjoy.

Get it on iTunes or here.

Wednesday, 24 October 2012

Podcast: Lost Tribe Ep. 16 - Middle East Riot Fest

Lost Tribe Podcast - 
Ep. 16 - Middle East Riot Fest

In this episode the boys discuss kidney stones and questionable discount foods before moving on to a recap of Riot Fest in Toronto!  After much speculation on past episodes about what it would be like, Riot Fest gets a big thumbs up....but the fans get a big thumbs down.  Fuck drunk punx.  Once discussion of punk festivals ends, discussion about the Middle East begins!  Specifically, the boys talk about what happens when some youtube wacko makes an anti-Islam video and all sorts of shit ensues.

Listen to it on iTunes or here.

Tuesday, 9 October 2012

Review: Pig Destroyer - Book Burner

Pig Destroyer
Book Burner

Tracklisting:

1.   Sis   
2.   The American's Head   
3.   The Underground Man   
4.   Eve   
5.   The Diplomat   
6.   All Seeing Eye   
7.   Valley Of The Geysers   
8.   Book Burner   
9.   Machiavellian   
10.  Baltimore Strangler   
11.  White Lady   
12.  The Bug   
13.  Iron Drunk   
14.  Burning Palm   
15.  Dirty Knife   
16.  Totaled   
17.  Kamikaze Heart   
18.  King Of Clubs   
19.  Permanent Funeral



There are times when writing for this blog can be challenging.  We like to pump out reviews on a fairly regular basis, but since we have a what’s-the-point-of-ragging-on-an-album-you-don’t-care-about policy, it can sometimes be daunting to find albums that a) we enjoy, and b) that motivate to want to say something about them.  Fortunately, this summer and fall has been a boon for us, with album after album of incredible material, from Burning Love to Masked Intruder to Propagandhi, etc. etc.  It seemed to be getting too good to be true and I was somewhat worried that the last couple months of 2012 would be relatively slow in the review department.

And then Pig Destroyer put out an album.

For anyone not familiar with this Virginia-based quartet, they need to familiarize themselves with these giants of grind immediately.  Guitarist Scott Jull and company have long been known for producing some of the most inventive, genre-bending, mind-destroying grindcore this side of Napalm Death.  Everyone in metal seems to expect the world from each new Pig Destroyer release (especially after the bands last LP - 2007’s critically-acclaimed Phantom Limb), and Book Burner does not disappoint.  Shying away from the Phantom Limb’s lengthier song times, this record scarcely has a song over three minutes, with several scorchers clocking in well under one minute.  Songs like “The American’s Head” and “Book Burner” demonstrate that this band is still the force to be reckoned with that they were five years ago.  Furthermore, the ‘longer’ (re: 3 minute) tracks like “Baltimore Strangler” and “The Bug” are easily some of the best songs on the album.  In fact, I can honestly say that I haven’t heard a better metal song than “Baltimore Strangler” this year.  So there.

This album’s soul-crushing heaviness is further augmented by the drumming of newcomer Adam Jarvis (Misery Index) and guest vocals from Jason Netherton (Misery Index) and Kat of Agoraphobic Nosebleed fame (although it’s not fair to call them ‘guest vocals’...as she is the sole vocalist on “Eve”...so let’s call her a ‘Temporary Vocalist’ or something), which help add a depth and variation to Book Burner that is always welcomed.

Some reviewers have been complaining that Book Burner has strayed too far from the band’s last offering, and are lamenting the lack of opus-length tracks that the band has become known for, but I find this ridiculous, as I have no desire to hear Phantom Limb-part 2.  While some (most) grind bands are perfectly happy hashing and rehashing the same riffs/songs/everything on each album, Pig Destroyer has always proven that just because you play extreme music doesn’t mean it always has to sound the same.  

Book Burner stands on its own as an incredible piece of music, it’s that simple.  It is crushing, but not overwhelming.  It is frantic, but not rushed.  It is well-thought-out, but not overwrought.  And most importantly, it’s fucking Pig Destroyer...with the guy from Misery Index drumming!  Fuck yes!

Buy it here.

Wednesday, 3 October 2012

Lost Tribe Podcast: Episode 13 - Propagandhi, Fan Expo, and X-Files

Lost Tribe Podcast: Episode 13 - 
Propagandhi, Fan Expo, and X-Files


In this episode the boys continue to discuss the greatness of Propagandhi before moving onto a recap of this year's Fan Expo (re: Gathering of the super nerds) in Toronto.  Lost Tribe's own Mike recounts his time working at Fan Expo and what it's like to get boners over girls dressed like cartoon characters.  Finally, each member takes his turn recounting his favourite X-files episode.

Get it on iTunes or here.

Wednesday, 26 September 2012

Podcast: Lost Tribe Ep. 12 - A People's History of This is Hardcore

Lost Tribe Podcast Ep. 12: 
A People's History of This is Hardcore


In this episode the boys (specifically Luke and James) talk about what it was like to see 52 bands in 4 days while on a mini-vacation in Philly.  The other boys sit back and listen politely while their eyes glaze over. That's right, after much hype and build-up the This Is Hardcore episode is finally here!  Hardcore kids, eat your hearts out.

Get it on iTunes or here.

Tuesday, 25 September 2012

Review: Homewrecker - Worms and Dirt



Homewrecker
Worms and Dirt

Tracklist:
1.Wreck
2. Worms And Dirt
3. Baseborn
4. Visions Of Terror
5. Chained Hanging Victim
6. Pipe Dreams
7. Eyes Of Anguish
8. Charlatan
9. Beaten Freedom

I was recently playing Homewrecker’s Worms and Dirt album for a friend in my car and I mentioned that I had written a review raving about the album for the blog...until I realized that I never actually got around to it.  Now, do not mistake my laziness and forgetfulness as indifference for this band.  Homewrecker, hailing from Ashtabula, Ohio, was a complete unknown to me before this album.  I say this with some shame, as this LP shows that they are well on their ways to becoming one of the heavy hitters in Midwest hardcore.

While taking inspiration from the likes of Integrity and Slayer, Homewrecker is able to create their own brand of brutal, pissed-off, metallic hardcore that is perfectly topped-off with some of the most guttural (albeit reverb-soaked) vocals I’ve heard in some time.  In short, this album is anger and evil incarnate, and that is why I love it so much.  

I have a stable of bands that I know I can always go to for the music I’m looking for, and there are always new bands that catch my attention from time to time, but Homewrecker is the first new band in a while that I truly expect to follow throughout their career.  The riffs are monstrous, peppered with NYHC influences, and tracks like “Chained Hanging Victim” and “Baseborn” never seem to get tired no matter how many times I listen to them.

Oh ya, and most importantly, I have a declaration to make about this album: Worms and Dirt has the heaviest, most well-timed intro track of the last 5 years.  Entitled “Wreck”, this atmospheric and distortion laden song mixes demonic riffs and fundamentalist Christian movie quotes (at least I think it’s a movie quote...I couldn’t place the sample for the life of me) to create the perfect introduction to an album that will be lauded, admired, and surely imitated for years to come.

Also, Homewrecker’s Worms and Dirt further prove that A389 is the most reliable and impressive label in hardcore.  No hyperbole, only truth.

Buy it here.

Tuesday, 11 September 2012

Recap: Riot Fest Toronto 2012



I'm not 100% sure how I feel about Riot Fest Toronto.

Maybe it's just the residual afterglow of the staggering experience that was This is Hardcore 2012. But after a great many hours spent standing around the Garrison Commons, I have to say I found the experience lacking. None of the blame for that should be laid at the feet of the performers. The sets that I caught we're uniformly awesome, each in their own way.

My gripes are really with everything surrounding the music. From the ubiquitous pimping of Jäger to the set up of the grounds to the available food options. When I wasn't watching some of my favorite bands, I found myself noticing all the places that shit could have (and should have) been better.

That being said, it always easy to find fault. And as far music festivals goes, this wasn't as bad as it could have been. Just, please, rent some goddamn lights next time. That's all the bitching I'm gonna do, I swear.

On to the good shit: Bands!

I, regrettably, missed the first three bands. I would love to have a good excuse for that because I generally go out of my way to support openers. But, as it turns out, I was just hung over... So, yeah. Kinda sucked. At the very least, I had wanted to catch Junior Battles since I really enjoyed their album from last year.

Because I showed up late, the first thing I managed to catch at Riot Fest was Andrew WK. I'm not really a fan. I think "Party Hard" was a fine, if ridiculous, radio song. But, the appeal of the rest of the guy's work escapes me. WK's set was billed as "a special solo performance" and I was super curious to see how THAT was gonna work. Turns out, they play the CD and Andrew WK sings, play keyboard and banters over top. It actually worked way better than it sounds. Honestly, it's pretty hard to fault the guy for what he does. He has certainly parlayed his persona into FAR more of a career than anyone had any reason to expect. At the end of the day, dude makes it his job to get people pumped and succeeds admirably at doing so. Not my cup of tea, but still glad I saw it. Homeboy is REALLY into parties.

Next up was The Lawrence Arms... From Chicago... Coolest band on the Fest... Their t-shirts were the cheapest. This was one of my most anticipated sets of the day since I've never seen the band before. It wasn't a let down, but I did have a gang of songs I wanted to hear that didn't make the set list. That's a personal problem though and the rest of the growing mob seemed satisfied. I'll have to be on the lookout for a show that these guys are headlining so they'll have time to play me all the songs I want. May need fly to Chicago for that one, though.

Less Than Jake was next up. If you don't like LTJ, you're fucking lying. That band has been awesome for 2 decades. Fact. I don't care if ska punk was supposed to die in the 90's, there are precious few genres I enjoy live more than this. They played a set that seemed focused on the past, and they even repeated a sentiment from the stage I've heard from them before: Never let a band tell you their new shit is better than their old. It isn't. And so we were graced with mostly the classics. "Look What Happened," "All My Best Friends Are Metalheads," "Johnny Quest Thinks We're Sellouts." Bottom line? Fuck yeah! The end.

I think maybe Hot Water Music needs be enjoyed in a smaller setting. I get that they're way past playing at, like, The Horseshoe, or whatever. But throughout the whole set, I just found myself wishing there we less people and natural light around. Something about that band has always screamed dark, smoke filled bar to me. Good set though, and they played "Trusty Chords" so I was happy. It also seemed like an oddly appropriate segue between Less Than Jake and Fucked Up. Don't ask me to explain how, because I can't. I just thought it worked.

Which leads me to the almighty Fucked Up. They are Fucked Up, everything they do is awesome as far as I'm concerned. This was the first time I'd seen them in months, which for me is a long time. And goddamn it, they rocked shit as usual. Damian left the stage early, never to return from the pit. Meanwhile, back on the stage, the rest of the band cranked out the usual wall of guitar driven sound that they are known for. The set relied heavily on David Comes To Life, with a few throwbacks mixed through for good measure. They didn't play "Son The Father," that's always a bummer. My only other complaint was that Damian promised that NOFX were gonna play "Drugs Are Good" and then they didn't. I know he's not in charge of that band, but it still hurt.

NOFX came up next and played a sloppy, disorganized set that had about as much banter as it did songs. They admitted that they hadn't played OR practiced in quite some time. There also seemed to be some disagreement about what songs were gonna be played. Overall, the whole thing smacked of a profound lack of professionalism. So...  A NOFX show. But I've loved that band for more than half my life and there is really nothing they can do that will change that now. I'm just too goddamn invested at this point. Besides, complaining about about how sloppy and juvenile a NOFX set gets is a lot like complaining that South Park is tasteless. The problem REALLY isn't the show. It's 2012, and you should have known what you were getting into.

Finally, Descendents played to about half as many people as NOFX. That shit is lame. More people should have stayed. Seriously, show some fucking respect. If Fat Mike and them gave us a sloppy and unpolished spectacle, Milo and company delivered a tight and blistering display of proficiency. This band doesn't NEED to be this good at this point. Frankly, none of us has any right to EXPECT them to be this good. And yet, they still take the stage, at damn near 50 years old, and show the kids how shit is done. It's nothing short of fucking inspiring. I still need to see them do "'Merican" live, maybe someday.

So yeah... The music delivered in spades. Not a bad set to be had. There were issues with the logistics and amenities. I managed to pay $5 for, mathematically, the WORST hot dog in recorded sausage history. That was shitty.

But, a week from now, I'll remember the music... Not the lack of seating and 25$ T-shirts.

Seriously, fuck that hot dog though. That was bullshit.