Showing posts with label mindset. Show all posts
Showing posts with label mindset. Show all posts

Tuesday, 1 January 2013

L.'s Top 10 LPs of 2012

L.'s Top 10 LPs of 2012

I've heard a mix of grumblings and praise about 2012 from various music sources, but you'll hear nothing but praise from all of us here at Lost Tribe. Not only did a bunch of new or quasi-new bands put out stellar releases, but a whole gaggle of veterans returned to remind us all why we hold them in such high regard in the first place. In fact, 2012 (and this site/podcast) helped remind me why I love music so much in the first place. So without further adieu, here is my list of the 10 best LP's of the year....in my opinion....in no particular order.


Burning Love – Rotten Thing to Say

The fact that this group isn't headlining any/all hardcore festivals and tours by now is mind-boggling to me. Their mix of hardcore, punk, and rock is both refreshing and reminiscent of the band members' past works. While I've loved everything they've put out thus far, I was especially impressed with their sophomore LP. It's got a flow and coherence to it that not many hardcore albums have these days, and “Karla”, “Pig City I”, and “Hateful Comforts” are immediate classics in my books.





Pick Your Side – This is How Democracy Works

Speaking of southern Ontario hardcore veterans forming new bands, Haymaker's Jeff Beckman teamed up with Fuck the Facts' Johnny Ibay to put together this hardcore/metal Frankenstein that have helped to satisfy my unending Haymaker-craving. Fortunately, this isn't just a mindless rehashing of what these musicians have done in the past, and is, instead, an interesting mix of genres that are held together with an unceasing barrage of hate and aggression. In other words, it's fucking amazing.






Black Breath – Sentenced to Life

How many people got re-excited about metal by this release? After listening, and then re-listening to this album I started digging through old Slayer, Black Sabbath, etc. albums to relive my headbanging days of old, and I was just as happy listening to Black Breath as I was hearing the classics. Black Breath doesn't try to do anything too fancy...no cross-over, no overtures, no symphonic back-ups, just blistering riffs and galloping beats. This album made me headbang and thrash more than anything else put out this year.





Homewrecker – Worms and Dirt

Was anyone not blown away by these guys? As I said in my review, I had slept on this band's 7”'s, so I had no expectations when I first put it on, but I was beyond pleasantly surprised. What caught my attention was the fact that “Wreck”/”Worms and Dirt” is the best intro-into-first-song combo of the year, and the audio clip used in “Wreck” might be my favourite mix of sample/music that I've ever heard....and I played in hardcore bands in the 90s/early-2000s! Oh ya, the rest of the album kicks ass too!





Mindset – Leave No Doubt

Do you love youth crew hardcore? No, neither do I. Then why is this album on the list? Because it's good...really good. The first time I put this album on I listened to it all the way through 3 times in a row. I can't fully explain why this album is so far superior to all other youth crew releases of the last few years, but it is, and if you haven't heard it yet you are most definitely fucking up.








Column of Heaven – Mission From God

Canada doesn't often make a mark on the metal world like this these days, but Column of Heaven proves that you shouldn't count the Canucks out yet. Continuing The Endless Blockades' tradition of putting out uncompromising but well-thought-out metal, Column of Heaven should be on every metalhead's radar if they aren't already.









Gaslight Anthem – Handwritten

I think people might've expected Brian Fallon and Co. to settle down or peter out now that they've garnered significant mainstream success, but this album easily puts any naysayers in their place. The song writing is sharper, the hooks are catchier, and the rawness/rough edges that everyone loves about Fallon's lyrics are still abundantly present. My one complaint is that “Blue Dahlia” is the best song is on the album and it's not technically on the album (although it is on the Deluxe Edition)...so if you haven't picked up those extra tracks I suggest you do as soon as possible.




Rise and Fall – Faith

Because this album came out so early in the year I fear that many reviewers will inadvertently leave these Belgians off their list. Well, if that was the case, then shame on them! Rise and Fall easily please even the most ardent d-beat, hardcore, or metal fans with expertly written songs and crushing riffs. This band is able to effortlessly pull off the difficult mix of creating unrelenting music that never seems to get boring or stale. Most bands either hammer home the one thing they are good at until the sound of it makes you want to puke, or they try and get so experimental that you forget that you are listening to an actual song, but Rise and Fall always keeps the right balance of consistent and interesting.


Pig Destroyer – Book Burner

What should I say about Pig Destroyer that I haven't already said in my review, or that their unparallelled career full of metallic greatness doesn't already say? Everyone expected the best from this band, and unsurprisingly they delivered in spades. They moved away from the experimental elements of Phantom Limb while keeping all the intensity and excitement that their fans have come to expect. Listen to Book Burner and revel in its consistent glory...or listen to it as a metal musician and realize that you probably won't ever be as good as this band is on its worst day.




Propagandhi – Failed States

Now, since I didn't make this a numbered list, so I don't know if I am able to have a number one album, but if I were to say that there was an album of the year then this would undoubtedly be it. The melodies are haunting, the riffs are crushing, the technicality is mind-boggling, and the lyrics are everything that “punk” should be. I'll keep this written handjob short, but I am truly glad that this band exists and that they keep putting out such face-ripping classics.

Thursday, 27 December 2012

2012 In Review: J's Favourite Music (Part I)

I hemmed and hawed a bunch about how to do this.

Should I do an EP list and an LP list? Should I break it up into genres? Should I put it in a carefully considered order? How many releases should I mention?

Eventually, I just curled up in the corner with a bottle of Sailor Jerry and a carton of egg nog, banging my head against a wall until I decided that it didn't matter how my list is structured. Which is why it WON'T be structured.

Here, in no order, are 10 music releases that I dug this year. I'll throw up another batch a little later.

Enjoy!

Masked Intruder - Masked Intruder




















Ok… Why?:

Because lots of punk bands are smart and angry. Lots of punk bands are stupid and fun. Some punk bands even manage to be stupid and angry. But precious few are legitimately clever and exuberantly, almost defiantly, fun.

Masked Intruder’s singular brand of lighthearted stalker punk hit a niche that I hadn’t realized I was aching for. You can overthink it as a commentary on the subtext of large swaths of pop music. But you can just as easily turn off that part of your brain and get lost in the fast, melodic and undeniable songs that make up this 13 track masterpiece.

Yeah, I said it.

Frost Giant – When Myth and History Merged Into Mystery




















Ok… Why?:

Because there aren’t a ton of records that legitimately surprise me anymore. Frost Giants EP caught me completely off guard. It fused disparate genres, many of which I had no previous affinity for, into something new and fun and, above all, greater than the sum of it’s parts.

Usually, when people slap the word “experimental” on a record what they mean is that it’s kind of unlistenable and they don’t want to admit that they don’t get it. The opposite is true here. Maybe this wasn’t an experiment. Maybe Frost Giant knew EXACTLY what they were doing.

Either way, no other record this year left me hitting repeat, and scrambling to tell as many people as would listen, to listen to it.

Yellow Stitches – Good Times and Violent Crimes



















OK… Why?:

Because I feel like Oi! is something of a lost art these days. When a Cock Sparrer tour generates more excitement than anything being done by a current band in this style, I think its safe to question the health of the genre. Bottom line: Oi! needs new blood.

This album delivers 16 fast catchy anthems on the subject of working, drinking and fighting HARD. Continuing the proud legacy of New England Streetpunk which includes the likes of the Ducky Boys and The Bruisers.

If you find a record this year that makes you want raise a fist and a pint while screaming along more than this one, I’d fucking LOVE to hear it.

Converge – All We Love We Leave Behind




















OK… Why?:

Because I always end up liking Converge records. It usually takes a while though.

This was the first time since Jane Doe that the immediacy and chaos that this band brings connected with me right from the start. Putting “Aimless Arrow” first probably had a lot to do with that. That song is downright infectious by Converge standards.

All I know is that when I finished All We Love We Leave Behind, I needed to hear it again immediately. It’s probably not as good as Jane Doe. But as far as I’m concerned, it’s the closest they’ve come.

Rival Mob – Mob Justice Tape



















OK… Why?:

Because The Mob continued their long standing tradition of releasing a promo tape to build anticipation for their forthcoming LP, even though it was blatantly unnecessary. That record is gonna be the biggest thing in hardcore when it comes out no matter what.

The tracks included here provided ample fuel for pit lunacy, and definitely leave you needing more. It’ll have to do until Revelation drops the full length early next year.

I predict that when the first Rival Mob shirts with the Revelation Star on the back come out, kids will be knifing each other for them like they were Air Jordans in 1986.

Macklemore & Ryan Lewis – The Heist




















OK… Why?:

Because its a rap record that argues FOR gay marriage and AGAINST buying Gucci. If this record did nothing else, it would have caught my attention on those two points alone.

Fortunately, it’s also a damn fine album that takes chances with it’s sound and it’s content. It reminds me most immediately of the first Kanye West album. A distinctly introspective record that still manages to get your head nodding. It’s also probably the most accessible (in the sense that normal people would like it) record that I fell in love with this year.

This is fucking awesome.

Mindset – Leave No Doubt




















OK… Why?:

Because, when it’s being done right, this kind of youth crew revival hardcore is probably the most invigorating sound that there is. And make no mistake, Mindset does it RIGHT. This record blends rage and positivity and straight edge in that very specific way that makes me wish I wasn’t such a drunk.

Mixtapes – Even On The Worst Nights




















OK… Why?:

Because I’ve been in love with this band since Maps came out in 2010. While their previous releases (and there have been a bunch) were always great, this album feels more mature without sacrificing any of the catchiness and fun. Balancing silliness and seriousness is a tough line to walk, but Mixtapes do that here.

Plus, the dual vocals from Ryan and Maura have never sounded so tight before.

Bad Religion – Fuck You (Single)




















OK… Why?:

Seriously? Because this is all that Bad Religion put out in 2012.

Frankly, 30 years in, this band has every reason to be terrible, and they’re not. I can’t think of too many bands, punk or otherwise, that have been this good for this long.

This one track, which will appear on the next full length, manages to sound like classic Bad Religion while still coming off as fresh and vital.

Fucked Up – Year Of the Tiger




















OK… Why?:

Because Fucked Up continues to drag hardcore, kicking and screaming, in new and interesting directions. I know they insist they’re not a hardcore band anymore, but the elements are always there. Besides which, Damian has probably my favorite hardcore voice out there right now.

Granted, the “Year of the…” records are generally the most experimental and indulgent things these guys put out, but it works amazingly well.

I still like “Year of the Pig” more, but this is right up there.

More to come!

Wednesday, 5 December 2012

Podcast: Lost Tribe Podcast - Ep. 22: Pills vs. SxE

Lost Tribe Podcast
Ep. 22: Pills vs. SxE
 

In this episode the boys discuss how much they are digging new straightedge albums, despite being despicable drunks. From there a Lost Tribe members describes his harrowing adventures in dental surgery and just how good pharmaceutical drugs really can be. But have no fear edgers, the boys talk about how they begun to clean up their lives by kicking, on average, 15 years of cigarette-fuelled addiction. Finally, if you ever wondered who is retired and who isn't in Hollywood, or which Die Hard is the best, then the latter half of this podcast is for you.
 
Check it out on iTune or here